April 1, 2009

CBC Pilot Burn-Off Time | The Good Germany

The CBC has rarely, if ever, made government bureaucracy seem funny.  Not My Department, In Opposition and Rideau Hall left three craters in that field years ago.  The Good Germany (CBC: Frantic Films, 2008) has left a smaller crater than those nadirs of Canadian television, unless this show is/will become a regular series.  Either way, I don’t want to see this show ever again.

The town of Germany, Ontario is rather poorly run, but that fact is only established a few minutes into The Good Germany.  Without this bit of information, the title makes little sense since Germany isn’t the most evil place on Earth right now.  If the show was called The Good Toronto and set in Alberta, that would make more comedic sense.  Then again, it’s hard to ask much from a show that uses a Rita MacNeil fat joke in its first minute.

Jack Mackay is the town’s newly elected mayor, trying to fix former mayor Gordon Verlaine’s various messes.  A motley crew of incompetent councilpeople, including Verlaine, try to impede Mackay’s progress.  Wayne Robson and Chris Leavins are among the show’s castmembers, and they’re better than the material they’re given.

A scene in The Good Germany underlines how bad the show really is.  It’s based around an impotence joke – Jack Mackay has not been able to fill “ink in his pen” since his wife died, a phrase councillor/manchild Pete misinterprets.  A normal show would throw this joke away in four, five seconds, tops.  The Good Germany tries to flog the same joke for a minute’s worth of material, except that the buildup makes the bad joke worse.  Another scene has Pete failing to repeat a spittake he made earlier in the episode.  It’s one thing to tell bad jokes, but this show repeatedly extrapolates on them.  Amazing.

The subplots are eminently believable.  Toronto city liaison Ellen Tremblay is the spitting image of Mackay’s dead wife.  Was The Good Germany honestly trying to milk a whole season out of this implausibility?  There’s also the matter of Mackay’s son dating Verlaine’s daughter.

Mackay got on the cover of Maclean’s for saving an infant from a burning building, which led to his becoming mayor.  Mackay’s too perfect, Verlaine schemes ineffectually and the city councilpeople are one-note ciphers.  No wonder CBC didn’t give this show any fanfare.

Show creator/writer Garry Campbell has written for shows like Less Than Kind, Blue Collar TV, MADtv and The Kids in the Hall.  He was also a member of The Chumps, which as a comedy troupe had a CBC Radio program in the mid-1990s.  With a pedigree like Campbell’s, I can’t believe this is the best he can do.  If this show has more episodes than the pilot in the can, for the love of God, keep them in the can!

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January 5, 2009

A Few Shows I’m Looking Forward To In 2009

I haven’t been in the habit of doing best-ofs.  URBMN only went in its “new” direction late last September.  What I can do at this point in URBMN’s history is talk about Canadian shows that I want to see this year.

I’m more receptive to Canadian television than a lot of people.  Sometimes a Canadian show will have a horrible premise, like Life’s a Zoo.tv‘s “animals + reality show parody = fun.”  I honestly thought that show would die on its ass, yet Life’s a Zoo.tv is actually decent.  It’s a weaker stop-motion Drawn Together, but what the hell, I like Dr. D.

Consequently, I want to like Testees.  I like South Park and Kenny vs. Spenny, two shows Kenny Hotz has had his finger in.  Testees is tepid by comparison.  It’s a well-worn buddy comedy without the Odd Couple-meets-reality-television dynamic that makes Kenny vs. Spenny funny.  The greatest conflict in Testees is between Testico and the human guinea pigs, and that takes up two minutes of a half-hour show.

It’s hard to predict which new and returning shows will keep my interest this year.  Here’s to hoping that one of these shows will meet my personal hype.


Hotbox | The Comedy Network actually teased this show late in 2008, with Pat Thornton in an owl costume wishing viewers a Merry Christmas.  This was followed by random clips of the show and some “eerie” static.

Thornton is the creator of The Owl and the Man, a series of YouTube-ready shorts depicting the differences between a man and an owl.  Hotbox will likely follow that tradition of absurdist humour.  The show seems like Robot Chicken with proper wraparounds.

I don’t know whether or not Hotbox will be good.  Thornton created and writes for the show, yet I find The Owl and the Man just okay.  There have been better and worse things on The Comedy Network.

I hope Hotbox meets TV Funhouse-level standards, but it’s a tall order to be as funny as Robert Smigel.  At the very least, Hotbox must be funnier than Comedy Inc.  Static is funnier and far more highbrow than Comedy Inc.


The Jon Dore Television Show‘s second season | I’ve been watching some YouTube clips of the show’s first season.  The new season premieres January 21, 2009 on The Comedy Network.

I wasn’t impressed by The Jon Dore Television Show at first glance.  After watching this clip, my fears were allayed.  I have no idea why The Comedy Network buries this show in post-South Park timeslots, but at least Jon Dore survived Canadian Idol.  I guess this show did deserve its Gemini nominations last year.  Neat!


Kids in the Hall: Death Comes to Town | Whether this airs in 2009 or early 2010 doesn’t matter.  It’s Kids in the Hall.  KitH is taking a page from shows like League of Gentlemen with Death Comes to Town, and a job lot of people want to see this.  I want to see it.  You want to see it, even if you hate Kids in the Hall with a passion.  I know you!

I have reservations about Death Comes to Town.  My taste for Bruce McCulloch will never wane, but Scott Thompson has annoyed me with his post-Kids work.  Shows like My Fabulous Gay Wedding have underlined the fact that Thompson is gay, but where is his funny?  He even threatened to ruin The Larry Sanders Show at one point, but no one can make Hank Kingsley unfunny.

Dave Foley has starred in subpar work post-Kids, like his Christmas special and NewsRadio.  I’ll give Mark McKinney credit for producing Less Than Kind, but that doesn’t excuse his two mediocre seasons on Saturday Night Live.  As for Kevin McDonald, he was in Zeroman and the Lilo & Stitch cartoon.  ’Nuff said.

The hype factor also works against Death Comes to Town.  I remember being excited at the announcement of Ren & Stimpy Adult Party Cartoon.  I was met with “Ren and Stimpy are gay” subtext and the beatdown of Mr. Horse.  The new Ren & Stimpy‘s awfulness killed my respect for John Kricfalusi.

I don’t want to see Kids in the Hall suffer the same fate as John K.  As soon as Dave Foley says “you’re the pitcher, I’m the catcher” to Scott Thompson, off goes the television.

Simply put, the five Kids in the Hall castmembers need each other.  Together, they are a force for comedic good.  It’s hard to say whether the comeback will be as funny as the original KitH, but CBC’s comedy lineup needs more than uneven political humour, Rick Mercer doing his best Shelagh Rogers impression and Being Erica.


Durham County‘s second season | I actually see this show making inroads on American television, since Flashpoint has introduced Americans to Hugh Dillon.

I’m not saying Durham County will pick up fans disenchanted by Dexter‘s third season, but what the hell.  NBC bought Howie Do It, and that’s just Howie Mandel hosting a Candid Camera derivative.  Slings and Arrows has an American fanbase two-and-a-half years after its death.  Who the hell knows which shows will become popular in the fifteen-thousand-channel world?


Howie Do It | It debuts on Global and NBC this Friday.  It probably won’t be any good, but who knows?  Howie Mandel has the power to survive this show if it stiffs.  This is an age where people have a new appreciation for Bob Saget and David Duchovny.

I haven’t written this show off in my mind like I have The Animated Adventures of Bob & Doug McKenzie.  Dave Coulier as Bob?  Take off, eh.

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December 6, 2008

TV Review | Trailer Park Boys: “Say Goodnight to the Bad Guys”

I have to admit something.  I have never sat down and watched an entire episode of Trailer Park Boys.  I could never get past the casual swearing, even though the show is one of the most popular Canadian comedies going.  I don’t think I would have requested a Trailer Park Boys screener if it wasn’t the final episode.

After watching “Say Goodnight to the Bad Guys” (Showcase: December 7, 10 ET/PT), I should have given this show a chance when it was in first run.  While I still find Trailer Park Boys‘ profanity fucking gratuitous, the show isn’t nearly as bad as I thought it was.

For first-time viewers, the show revolves around Julian (John Paul Tremblay), Ricky (Robb Wells) and Bubbles (Mike Smith), three Maritimers living at the Sunnyvale Trailer Park.  Their shared nemesis is Jim Lahey (John Dunsworth), a former police officer and the trailer park’s supervisor/chief souse.

Lahey’s deathless enmity towards Julian and the gang stems from a 1977 Halloween prank gone horribly wrong.  Lahey is flanked by shirtless bisexual assistant Randy.  ”Say Goodnight to the Bad Guys” focuses around Lahey’s desire to rid himself once and for all of the Boys, as well as other trailer park irritants.

The acting in “Say Goodnight to the Bad Guys” is a mixed bag.  Mike Smith is great as Bubbles and the other two Boys are almost as good.  Dunsworth is awesome as alcohol enthusiast Lahey.  Trailer Park Boys doesn’t have the talent depth of The Red Green Show, but its mockumentary nature helps mask this deficiency.

Jonathan Torrens’ role as wigger J-Roc is the only acting low point, but it’s been that way since Torrens first appeared on the show.  He’s always worked better as a television host, as seven seasons of Street Cents and five seasons of Jonovision demonstrate.

It’s not much of a spoiler to say that “Say Goodnight to the Bad Guys” isn’t the final word on Trailer Park Boys.  A feature film, the show’s second*, is forthcoming.  The Ricky, Julian and Bubbles Community Service Variety Show tour existed before the finale and will hit Toronto’s Massey Hall in January 2009.

Trailer Park Boys creator Mike Clattenburg claims that this special and the film will end the series.  The film’s working title is “Countdown to Liquor Day.”  Without spoiling the special for longtime viewers, the countdown starts near the end of “Say Goodnight to the Bad Guys.”

I hope Clattenburg isn’t using the special to shill the film, but I wouldn’t put it past him.  Like Don Cherry and Red Green, no one will ever fully get rid of Trailer Park Boys.  Both Bob and Doug McKenzie and The Kids in the Hall are coming back to television within two years.  Look for a Trailer Park Boys comeback four years from now.

*The 1999 Trailer Park Boys film doesn’t count as Trailer Park Boys wasn’t a television show back then.  Please don’t correct me on this.  Oh, and fuck bologna sandwiches.

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October 20, 2008

Canadian TV-on-DVD Roundup (October 20, 2008)

The first season of the new George of the Jungle series is being released in Canada on October 28th.  The “Jungle Bells” Christmas special will be available as a stand-alone release.  I’m sure the Christmas special will make appearances in $2.99 budget bins within a year, since stand-alone releases are so necessary.

This is on a list of Canadian TV-on-DVD releases as the new George of the Jungle is a Teletoon “Original Production.”  Teletoon has a habit of calling properties “Original Productions” if a Canadian animation studio involves itself with a certain show.  I would be more partial to the new George of the Jungle if it was funny or watchable.


Hi-res box art for Morningstar’s Villains Showdown and Heroes sets.  Aside from a name change (Heroes Unite to Heroes), nothing has changed about the box sets.


Some news about The Collector‘s first-season DVD set, to be released November 4 through Morningstar.  I admit I missed this one until now, since I didn’t know The Collector was a Canadian series.  Every time I think I know a lot about Canadian TV, a story like this comes and slaps me upside the head for being stupid.


This is becoming a Morningstar-centric edition of the Canadian TV-on-DVD Roundup.  Ron James: Back Home, James’ fourth one-hour comedy special, comes out tomorrow.  As much as I like the man, I think his “I’m from the Maritimes but I work somewhere else” schtick wore itself out after his second comedy special.  He’s drained that well by now.

Now Stewart Francis and Jon Steinberg, those guys are hilarious.  I know I’d buy a Jon Steinberg DVD if it came out.  Russell Peters endorses Steinberg, and that has to count for something.

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October 16, 2008

TV Review: Testees 1.1

Since I first saw Kenny Hotz on Kenny vs. Spenny, I’ve known not to underestimate him.  Testees‘ pilot includes an anal probe, a penis enlarging spray and male lactation, which should make for a hilariously tasteless show on par with South Park.  Maybe I overestimated Hotz this time, as Testees‘ pilot is only sporadically funny.

Testees (Showcase: Tuesday, 9:00 PM ET/PT) focuses on the lives of Peter (Steve Markle) and Ron (Jeff Kassel), human guinea pigs for TESTICO.  Ron and Peter are humiliated into returning to TESTICO as they need the money, missing out on a penis enlarging spray in the process.  Larry (Kenny Hotz) is the lucky recipient of said spray, trying to turn on Amy the receptionist (Shauna MacDonald) with his outsized pork sword.

After an anal probe, Ron becomes pregnant.  Cue a visual pee joke and Ron eating melted ice cream with a pickle.  The “man becomes pregnant” angle seems oddly familiar, since I saw much of the same thing on an episode of The Young Ones.  Ron’s “birth” in particular seems lifted from that show, although I don’t want to spoil the joke for Testees fans.

For a show dealing in base humour, Testees comes across a bit subdued.  The best scenes are all Hotz’s, as his Larry is a self-satisfied sleazebag.  Markle and Kassel are good leads for the show, but they’re wasted on a script that only occasionally reaches the Jackass-with-comic-timing heights of Kenny vs. Spenny.

It’s like Hotz is dulling Testees‘ potential by trying to adhere to basic sitcom rules.  This trap caught Trey Parker and Matt Stone in a vise when they launched That’s My Bush!  Maybe this is a case of Hotz overextending himself, since the fifth season of Kenny vs. Spenny is upcoming.  It’s hard to say.

I hope Testees improves on its pilot, since I don’t want this to be the American Dad! of Hotz’s career.  Testees isn’t the worst show on TV like Entertainment Weekly says, but I was expecting a Drawn Together-like paean to offensiveness.  Of course, Drawn Together sucked its first episode, so Testees isn’t a total write-off.

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October 2, 2008

Canadian TV-on-DVD Roundup (October 2, 2008)

I’ve been reviewing some TV-on-DVD releases for “my sister’s site at http://www.currentmoviereviews.net/,” as I’ve been saying to publicists for far too long.  It would be nice if the reviews I have written for her would be on the site, but I have written them and they might be reworked for sweetposer.com soon, just to prove to people that I’m not continuing to blow smoke out my ass.  Also: that I actually post reviews here.

Canadian TV-on-DVD releases tend to be overlooked.  I remember first noticing that John Callahan’s Quads! had a season box set when I was doing Christmas shopping at Wal-Mart two years ago.  Granted, it’s John Callahan’s Quads! and the audience for sketchily drawn, poorly-animated cartoons about disabled assholes isn’t that big.  Canadian TV-on-DVD titles are far more likely to hit the bargain bins or be heavily discounted than American fare in this country, in my opinion.  When I look in discount stores like Giant Tiger and Liquidation World, I’ve seen titles like Atomic Betty and Jimmy Macdonald’s Canada there.  Is it because Canadian titles are almost always shit or are the wrong titles being released?

Maybe Canadian TV-on-DVD is just a weakly tapped market.  I’m amazed there isn’t a Four on the Floor box set, since there are Frantics fans out there.  I can see a market for The Tommy Hunter Show, and there are even hardcore fans of The Vacant Lot.  CODCO has yet to see a release.  There’s a lot of good stuff left untouched.  Even the titles that are out on DVD seem to suffer from poor marketing.  I didn’t know the first two seasons of This Hour Has 22 Minutes – make no mistake, that show was great in its early years – were even out on DVD until I received an e-mail from CBCShop.ca selling the first two seasons for $19.99 each.  Did CBC broadcast commercials for the box sets last year?  It’s not like I’ve gone out of my way to watch the Gavin Crawford/Geri Hall/Mark Critch era of the show, since I only watch shows I find funny.

All I have to say is, I’m glad there’s a TVShowsonDVD.com, otherwise my knowledge of home entertainment-related Canadiana would be even smaller than it is now.

Announcement for the complete series set of My Pet Monster.  Global used to air this show for years on end, since Nelvana produced it and the show counted as Canadian content.  I’m sure there are fans of this show, but this is the sort of title I wish would not be released on DVD.  kaBOOM!’s releasing a couple of these industrials lately – this and Tales from the Cryptkeeper.  Meanwhile, other Nelvana titles like Eek! the Cat and Beetlejuice lack proper DVD releases – the 20th anniversary Beetlejuice DVD has three episodes from its spinoff cartoon, which is inadequate.  Those two titles need more of a DVD release than a show based on a fad toy that was constantly rerun on Saturday afternoons for at least ten years.  I have memories of My Pet Monster that I wish would erode faster.  I want to forget about Mr. Hinkle and his dog Princess.

Review of Friday the 13th: The Series.

Corner Gas Season 5.  This is one of the rare Canadian series that’s marketed properly, given decent season releases and has television commercials advertising it.  I’ve never liked this show, but it has its fans and it’s being sold the right way.

Grantray-Lawrence titles Spider-Man and The Marvel Superheroes in grab-bag DVD sets.  I question the legality of these releases – I’m sure Disney owns the rights to the 1967 Spider-Man series and it put the entire three-season run out on DVD a few years ago, so I’m not sure what’s going on here.

Both seasons of The Tudors out on Blu-Ray November 11.  The second season of The Tudors is coming out in standard DVD format on the same day as the Blu-Ray releases, at least in Canada.

The Border‘s first season and Robson Arms’ third season on DVD.  Video Service Corp. seems to be the company that best exploits the Canadian TV-on-DVD market.

Mutant X and BeastMaster complete-run DVD sets cancelled.  This is due to ADV Films losing the home video rights to Tribune Entertainment’s shows, and aside from Farscape this isn’t much of a loss.  I always felt releasing these shows was a lousy way to wean the company off anime and manga.  I know the anime market is not nearly what it was a few years ago, but ADV could have done a better job of diversifying.

Also coming out in November and December: Fraggle Rock complete series (November 4), Super Dave Super Stunt Spectacular Volume One (November 25)

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April 11, 2005

Leah McLaren Explains It All

Filed under: Pre-2005 URBMN — Tags: , , , , — C. Archer @ 10:17 am
I haven’t given URBMN much content for quite a few weeks.  I’ve honestly been busy with my other projects – you know, writing for the places I write for, trying to earn that cred so I have an excuse to do work that doesn’t involve wood or thankless manual labour, throwing out April Fool’s jokes about me leaving sites and being called a self-important, overly serious twat for attempting them etc.  Nothing new to report there, then.  When two articles about “hipster cred” popped into miserable existence within twenty-four hours of each other, of course, I knew I had to return to my soapbox as there’s nothing I love more than deflating self-important, extraneous bullshit.  It’s why the people that read UR still come here and why I still practice this “writing career” – I honestly wonder sometimes why the people that get paid for writing newspaper/magazine columns can’t do it better than some anonymous berk with a LiveJournal and a fandom for Simple Plan.  I can pretend to like horrible indie rock.  NOW WHERE’S MY MONEY?

The first article about hipsters comes from The Globe and Mail Style writer Leah McLaren, who I didn’t know anything about before this column.  Considering her condescending style and generalizations, I see I’m not missing much.  McLaren seems like one of a multitude of writers given a column not because they have any discernible talent or interesting opinions. They’re just young, go to the right schools and follow in the goose-step of the media’s version of what’s “hip” in popular culture.  It’s good to see that other people hate McLaren’s writing, but it’s apparently become passé these days to talk about her.  Screw it – I’m dissecting Leah McLaren.  She’s a small part of my big picture here, that’s my excuse.

Here come the Fair Use quotes!  Get ready for BANALITY!

It’s not easy being an 18-to-35-year-old these days.

Everywhere we go, somebody wants a piece of us. If it isn’t the clothing retailers, it’s the church, hoping to tempt us back into the fold with post-Pope nostalgia.

But most people my age don’t go to church. (According to Ipsos-Reid, only one in five Canadians does on a regular basis.) Nor do we care much about politics (we barely vote), poor people (we rarely volunteer) or health care (we’re pretty healthy, after all).

Wooo-ee!  Demographics and stats!  How about that?  McLaren takes a bunch of general stats and generalizations, throws them into a bag and tells us who we are as 18-to-35-year-olds!  Never mind the fact that the church statistic is for all Canadians regardless of age and that sly, winking dig at the Roman Catholics as if the death of the Pope was planned in any way.  Three paragraphs in, and we’re already in Stupid Country.  Even Michael Moore doesn’t throw away his allusions to “journalistic integrity” like a flowerpot this early on.  This should be fun.

What we dislike and ignore is well documented. It’s what we want that everyone is so desperate to find out. There are lots of us and, apparently, we’ve got disposable income to burn (though none of my friends feels that way). The word on us is largely negative: We don’t like stodgy, we don’t like old, we don’t like tradition and we don’t like anything too serious. What we want, it seems, is hip, young, new and light.

Isn’t not liking “old,” “stodgy,” “traditional” and “serious” things a function of the “young” in the first place?  Brilliant inference, McLaren.  That’s exactly the sort of statement I’d expect to come from a newspaper formed before the turn of the 20th century.  That “hip, young” bullshit is the exact statement advertising agencies and entertainment venues primarily aimed at older demographics use to justify their leaving said demographics.  One can’t exactly build brand identity when the average age of the consumer a company aims at is fifty to dead.  Also, older people tend to have more experience with regards to ignoring vacuous advertising campaigns.

It’s nice to read McLaren’s column considering some of the biggest news stories of recent vintage deal with young punks like that rebel Paul Martin, that fun-lovin’ Terri Schiavo and John Paul II, the Party Pope.  Nothing says “FUCK TRADITION” like those three party animals.

For example, broadcast executives have noticed that many members of my demographic would rather watch music videos than the news. So what do they do? They get former MuchMusic VJs to present the news to us.

I’m not sneering here. I think George Stroumboulopoulos, host of CBC’s The Hour, is a talented guy. He has intelligence and charisma. But then, so did Avi Lewis before him. Like Stroumboulopoulos, Lewis had piercings, wore casual clothes, jumped around a lot and abused the term “awesome.” (And, like Stroumboulopoulos, he also exuded an air of charming compassion that didn’t entirely fit with the ironic-hipster-in-residence tag that the Corp. slapped on his forehead from the word go.)

Here’s the main problem with this article: it’s partially about a guy CBC stole from MuchMusic.  George Stroumboulopoulos is an intelligent guy, granted (and that’s a hard thing for me to say considering I wasn’t thrilled with his tenure at MuchLoud), but CBC didn’t hire the man because he’s supposed to appeal to the “MTV generation.”  CBC hired the man because he’s supposed to give the Corp. more credibility among “the kids.”  It’s part of CBC’s continuing strategy to reinvent the broadcaster as a tastemaker for the young and “urban.”  Hell, CBC’s audience was skewing old, rural and stodgy!  MomCo can’t have that, can it?

I honestly despise when CBC programs try to appeal to a younger audience, because the radio and television networks of the MotherCorp are so blatantly left-wing and trend-oriented it’s almost sickening.  If you don’t live in a major city, have a liberal mindset, follow the flavour of the week or lack a distinctive personality you mean nothing to the MotherCorp.  Why is it interesting that Avi Lewis or George S. have piercings and wear casual clothes?  How the hell does that equate to anything?  They came from MuchMusic, which was nothing more than a shill for the major record companies to begin with.  How “real” do you expect these people to be, anyway?  Let the Greekgyptkranian live and die by his own merits.

Clearly, this pandering treatment of the so-called youth market has been going on for some time now to no great success. The problem is, those in charge of the media don’t know what we want, the reason being that what people my age want is (wait for it) a bunch of different things. Some of us are interested in politics. Some are curling fans. Others flip straight to the horoscopes. Put simply, we want all the things a good news product delivers. We respond to quality — the one thing Canadian news media outlets can’t consistently deliver with any of its youth-oriented products.

Those in charge of the media, huh?  Like your mother?  Sorry, sorry, too easy.

Seriously, the “media” don’t know what my generation wants because my generation is interested in different things?  No, the “mainstream media” haven’t succeeded in coming up with a decent “youth” news outlet because most “youth” news outlets are terrible.  They’re either blatant shill mags trying to enforce some sort of overly commercial, market-oriented mindset (hence the manufactured cool that I tend to despise) or they’re byproducts of people trying to push an agenda onto other people, whether it be “hipsterism” or whatever.

This is sort of why blogs and websites have stolen some of the thunder from the newspapers and mainstream/”alternative” print media – because the online media are largely controlled by actual people as opposed to a consortium of editors with the right academic “credentials” and “youth-oriented” mindset.  Blogs and news sites have their own problems, granted – the desperate bids for popularity and relevance some blogs strive for is sometimes disturbing – but they far outstrip papers like Ottawa Express and eye weekly for sheer entertainment, readability and relevance as they know the audiences they’re aiming for and don’t have the pressure of being at odds with an overly corporate mindset.  Not that they’re not corporate, mind, but blogging is a young medium yet.

Dose, the national daily news magazine launched by CanWest last week, is another case in point. Edited and published by people in their late 20s, the tabloid reads like a university paper drained of all political or satirical venom.

When in doubt, make fun of your competitor – in this case, Canwest Global and its attempt to emulate the alternative print media.

Honestly, university papers have political and/or satirical venom?  Are you telling me the university paper I tried to infiltrate for three years had intelligent satire?  I was under the impression The Charlatan was a shoddily-run bog paper with opinions ranging from “REZ IS TOO NOISY” and “NICE TYPO ON THE FRONT PAGE, DIPSHITS” to “ANYONE LIVING ON CAMPUS AFTER THE FIRST YEAR IS A FAILURE OH AND GO FIND A FUCKING JOB, APARTMENT AND GIRL YOU FAGGOTS.”  When the hell did university papers become readable/stop becoming self-important, then?  Aren’t you too busy generalizing me to care, McLaren?

The cover of the launch issue featured a photo of a young woman in a frayed denim vest beside a quote in white font. “We don’t need leaders who are wealthy . . .” it read, “we need people like the Pope.”

What is this supposed to say? That the leader of the Catholic Church lived a modest existence? That in spite of cracking down on condom distribution in AIDS-ridden African nations, declaring gay marriage “evil” and refusing to ordain women, the Pope was a nice guy? Or is it that 24-year-olds in frayed denim vests don’t know what the heck they’re talking about?

The Pope was in the news.  Dose interviewed a 24-year-old who likely got swept up in the tide of Popemania.  It’s not a hard thing to figure out.  McLaren’s also thirty years old, so what’s with the overly sanctimonious tone?  Are the “common people” just that much more stupid than she is?  Man.

What’s with the trendy Pope-bashing, anyway?  The last two reasons McLaren doesn’t like the Pope seem more like she’s translating official stands of the Catholic Church to the Pope himself (although John Paul II did harbor those beliefs, which is understandable considering he’s the figurehead of the Catholic Church.)  The condom issue makes little sense considering a condom means shit when some Africans live on $5 a month and have to face dilapidated living standards each day of their lives.  John Paul II didn’t make popular decisions all the time, and he’s not supposed to – he’s supposed to represent the Catholic Church’s position on an issue, not to follow popular opinion.

Honestly, McLaren, you’re criticizing Base yet you go for targets like the Pope.  There were many roads to take with regards to criticizing the newspaper (like the fact that the editor is a 20-something Harvard grad and doesn’t represent “youth culture” at all – honestly, he sounds like a business major trying to tap into the pocketbooks of “his people”), yet you went for Catholic-bashing.  How come a 23-year-old nothing schlub like me can see that and you can’t?

Inside, the tabloid is filled with irrelevant factoids and diagrams, few of which are sourced or relate to a larger story. Some of the news stories, in turn, fail to answer basic questions. A short item on a study that found the majority of ninth graders practise oral sex in the belief that it is safer than intercourse failed to address the glaring question of whether it actually is.

The following day, there was a story about an academic at the University of Calgary who is examining why women flashed their breasts on the Red Mile last year in support of the Calgary Flames. The reporter quoted the professor as saying the women’s reasons for flashing are “really interesting and fascinating,” but never told us what they are.

So what you’re saying is…Dose is a tabloid.  Wow.  Two paragraphs to state the obvious?  Amazing.  What great muckraking.  You should write for the Globe and Mail.

Dose is not all bad. It’s big on environmental stories, which matter to people my age. In the first issue, there was an interesting piece on bald-eagle slaughtering in B.C. There’s also a fair bit of national and international news.

But something about these “hipified” news sources worries me. The Canadian media has a history of getting excited about young people for their kinetic delivery and leather trousers and then tossing aside for the same reasons. In other words, they eat their young.

I remember a guy who ran a record store in Madoc, and he wore leather trousers.  He was a jerk.  His store later became a slum.

Also, the Canadian media eat their young?  That was obvious, but obviously McLaren doesn’t understand that she’s part of the group she criticizes.  If she ends up appealing to a bunch of dirty sixty-year-old men, she’ll be out on her ass tomorrow.  If I piss off Adrian Bromley by being me, I’ll be out on my ass tomorrow.  I don’t pretend to be hot shit, but McLaren obviously thinks she is.  No one is unsackable, which the woman should have realized when she was run out of the UK after a year.  The Brits had already suffered through Barbara Amiel and The Girlie Show, so why put up with the distillation of those two artefacts?

Like Stroumboulopoulos, Noah Godfrey, the publisher of Dose, is in a difficult position. CanWest has spent buckets promoting his paper. If the numbers are high, the critics will sneer about the dumbing down of the news. If they’re low, he’ll be turned out on his low-rise denim behind until the next sacrificial hipster saunters in to take his place.

Will such youth-oriented shows and publications draw younger audiences in or make us yawn with indifference? It depends solely on the quality of content they deliver. We may have nose rings, but we still know a crock of BS when we smell one. Just ask George and Noah.

Tch.  Stroumboulopoulos is the Evan Solomon of the 2000′s.  He’ll be given a semi-major push (after all, CBC created The Greatest Canadian to debut Stroumboulopoulos – like people actually thought Tommy Douglas was The Greatest Canadian outside of the Prairies) and then settle into the CBC detritus.  I imagine George S. will replace Solomon on CBC News: Sunday – or he’ll end up like Daniel Richler or Brent Bambury.  We’ll see.

Godfrey, though?  He wins either way.  If he succeeds, he’ll go on to work at the National Post.  If Godfrey fails, it wasn’t his money and his reputation will still remain intact.  He really isn’t in a position to lose very much aside from personal pride.  If Dose succeeds, it strengthens CanWest Global’s news reputation (which isn’t that bad despite what National Post haters say.  It’s better than Bell Globemedia’s, at least.)  If Dose fails, CanWest Global looks stupid.  It’s the company taking the risk, not Noah Godfrey.  McLaren would be wise to remember that.

What does this have to do with hipsterism, exactly?  The news is not a hip thing to be into, no matter what demographics have to say about it.  These days, though, it’s acceptable to be blatantly left-wing in some corners of the news media, especially if you’re young.  Leah McLaren writes for one of the more liberal papers in Canada.  It’s in her self-interest to grease the palms of a broadcaster that might want her and to criticize the company that has become rather right-wing in recent years (although she gives it some praise, just to keep that door open if she defects to the CanWest Leper Colony – y’know, like Barbara Amiel.)

What I see from McLaren is a bunch of subtle hints about her being somehow above her subjects.  The non-religious stand, the obvious ignorance she exhibits, the condescending “we” tone she takes in the article – basically, she’s what she’s criticizing.  There was a good article here, but Leah McLaren ruined it by being the same writer she always was.  Instead of tackling the issue of “youth news” head-on, she took the tone of disinterested 30-something who knows what “people like me” want.  She’s right about people wanting “good news,” mind you – but it isn’t going to come from her.  I’d rather read a magazine that skewers old but has good journalistic credentials over some poorly-written, vacuous “youth news” outlet any day of the week.  No one should give a flying fuck over demographics, but a lot of people (including hipsters) swear by them. It’s a sad sight to behold.

Call me when you write for Spin, hon. You are destined for there.

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