March 8, 2010

News: Todd & the Book of Pure Evil currently in production for SPACE

Frantic Films, Aircraft Pictures and Corvid Pictures are currently filming Todd & the Book of Pure Evil for SPACE.  The half-hour supernatural comedy, shot in Winnipeg, focuses on teen metalhead Todd (Dark Oracle‘s Alex House.)

The Book of Pure Evil is just that, a book that grants people their deepest desires…for a price.  Each week, some random Crowley High student will use the Book of Pure Evil, having learned nothing from the Wishmaster film series.  Todd quests to destroy the book with help from Jenny (Maggie Castle), Curtis (Bill Turnbull) and nerdy Hannah (Melanie Leishman.)

Jason Mewes – yes, that Jason Mewes – has a role as Jimmy, Crowley High’s janitor.  Chris Leavins, of cutewithchris.com fame, is guidance counselor Atticus Murphy Jr.

I’m ambivalent about Todd & the Book of Pure Evil.  Garry Campbell’s attached to the project as co-executive producer.  His prints are all over The Good Germany and The Ron James Show.  I’m not saying T&BPE will suck due to him, but his name doesn’t scream “quality content.”

On the plus side, Todd & the Book of Pure Evil will be helmed by Craig David Wallace.  Wallace co-wrote the screenplay for the 2003 short which led to this series.  Why it’s taken seven years for T&BPE to be developed…wait, I’m answering my own question.  It’s Canadian television.

I’ll reserve judgment about T&BPE until it airs.  It could be the horror-comedy version of The Jon Dore Television Show, or it could be Big Wolf on Campus with casual swearing.  With Jason Mewes in the cast, I’m hoping for the first scenario.

Also, please let this show have actual horror in it.  Buffy the Vampire Slayer-like shows have too much bad writing and unneeded character development in them.

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September 26, 2009

TV Review | The Ron James Show 1.1

When The Ron James Show (CBC: premiered September 25, 8:00 PM ET/PT) was announced as the replacement for Royal Canadian Air Farce, I wasn’t expecting much.  The verbose Nova Scotia comic has plied his trade in a series of decreasingly entertaining CBC comedy specials.

There’s also the matter of Blackfly, the Global series that managed two seasons – TWO SEASONS! – despite being a manky, Blackadder-baiting piece of shit.  While anything is better than more Royal Canadian Air Farce*, Ron James has that major failure under his belt.

As a bonus, The Ron James Show executive producer Garry Campbell was responsible for The Good Germany.  I’m well aware of the depths to which Campbell’s shows can plumb.

The Ron James Show doesn’t oversell itself – James does some monologues, appears in all of the sketches, nothing fancy.  There’s an animated segment called “L’il Ronnie,” which sucks, but is still better than the average Air Farce Alan Park segment.

The Ron James Show benefits from slick production values.  The opening credits alone look more expensive than an episode of Royal Canadian Air Farce.  Most of the sketches are of average quality, but none of them descend into Comedy Inc. levels of inanity.

The final sketch, where James experiences life as a slave on the Underground Railroad Weekend Experience, is a highlight.  It’s a fairly edgy sketch for an 8:00 PM show, what with blacks exploiting whites for cheap labour.  The Wendy Mesley voiceover cameo is a bonus.  I hope the writing gets stronger in future episodes, in order to counteract Rick Mercer’s gradual transformation into Shelagh Rogers.

I’m not going to recommend The Ron James Show on the basis of its one aired episode.  The real test is whether subsequent episodes improve on The Ron James Show‘s initial outing.  I’m just surprised this show is anything at all.  Don’t get me wrong, I’d rather see Rob Pue with a show, but you know, Canada.

*Except for Comedy Inc.

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April 1, 2009

CBC Pilot Burn-Off Time | The Good Germany

The CBC has rarely, if ever, made government bureaucracy seem funny.  Not My Department, In Opposition and Rideau Hall left three craters in that field years ago.  The Good Germany (CBC: Frantic Films, 2008) has left a smaller crater than those nadirs of Canadian television, unless this show is/will become a regular series.  Either way, I don’t want to see this show ever again.

The town of Germany, Ontario is rather poorly run, but that fact is only established a few minutes into The Good Germany.  Without this bit of information, the title makes little sense since Germany isn’t the most evil place on Earth right now.  If the show was called The Good Toronto and set in Alberta, that would make more comedic sense.  Then again, it’s hard to ask much from a show that uses a Rita MacNeil fat joke in its first minute.

Jack Mackay is the town’s newly elected mayor, trying to fix former mayor Gordon Verlaine’s various messes.  A motley crew of incompetent councilpeople, including Verlaine, try to impede Mackay’s progress.  Wayne Robson and Chris Leavins are among the show’s castmembers, and they’re better than the material they’re given.

A scene in The Good Germany underlines how bad the show really is.  It’s based around an impotence joke – Jack Mackay has not been able to fill “ink in his pen” since his wife died, a phrase councillor/manchild Pete misinterprets.  A normal show would throw this joke away in four, five seconds, tops.  The Good Germany tries to flog the same joke for a minute’s worth of material, except that the buildup makes the bad joke worse.  Another scene has Pete failing to repeat a spittake he made earlier in the episode.  It’s one thing to tell bad jokes, but this show repeatedly extrapolates on them.  Amazing.

The subplots are eminently believable.  Toronto city liaison Ellen Tremblay is the spitting image of Mackay’s dead wife.  Was The Good Germany honestly trying to milk a whole season out of this implausibility?  There’s also the matter of Mackay’s son dating Verlaine’s daughter.

Mackay got on the cover of Maclean’s for saving an infant from a burning building, which led to his becoming mayor.  Mackay’s too perfect, Verlaine schemes ineffectually and the city councilpeople are one-note ciphers.  No wonder CBC didn’t give this show any fanfare.

Show creator/writer Garry Campbell has written for shows like Less Than Kind, Blue Collar TV, MADtv and The Kids in the Hall.  He was also a member of The Chumps, which as a comedy troupe had a CBC Radio program in the mid-1990s.  With a pedigree like Campbell’s, I can’t believe this is the best he can do.  If this show has more episodes than the pilot in the can, for the love of God, keep them in the can!

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